Collective Arising: The Insistence of Black Bay Area Artists
Jun
25
to Nov 27

Collective Arising: The Insistence of Black Bay Area Artists

June 25 - November 27, 2022

Co-curated by Ashara Ekundayo and Lucia Olubunmi R. Momoh

Collective Arising: The Insistence of Black Bay Area Artists features art by contemporary Black artists who have participated in interdisciplinary collectives, including nure, 3.9 Collective, House of Malico, CTRL+SHIFT, and Black [Space] Residency. Collectives—groups of like-minded individuals coming together to achieve a common goal—have offered space for Black artists to expand their practice, amplify their voices, and nurture one another. Working in community, they share resources, build cooperatively, and create side-by-side in opposition to hyper-individualistic capitalist systems, such as the art market, in which competition is a requirement for participation. In this way, collectives have served both the revolutionary and creative practices of Black, queer, and femme people across the diaspora. The artworks in Collective Arising—which includes textile, sculpture, glass, print, painting, photography, video, and installation—speak to this dual purpose at the core of the formation of artist collectives.

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#NGG2022
Jun
11
to Sep 10

#NGG2022

Artist Talk: Saturday, June 11, 2022

10:00 AM 11:00 AM

In 2022 Habatat Detroit Fine Art, will once again promote a year-long glass competition featuring 12 artists who have pushed beyond the norm of the contemporary art world. All 12 have impressive talent and creative vision and are expected to be driving forces in the future. Each artist has chosen a single month of the year during 2022 to create an online presentation. Habatat has asked each of them to create on such a level that the body of work could be displayed at their dream museum. They will create and share their presentations that will offers unique experiences into that artists’ worlds. This will be done completely at the artist’s discretion and offer both a glimpse into each artist’s message and work for purchase as well.

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Cash Crops / re.riddle (online)
Nov
1
to Nov 30

Cash Crops / re.riddle (online)

re.riddle presents, Cash Crops, an online exhibition of new work by Cheryl Derricotte that will run from November 1-30, 2021. This exhibition is the part of re.flect, a program series that spotlights one of the gallery's artists each month. The rotating monthly series offers in-depth access into the respective processes and practices of our global community of artists. In addition, the artists have partnered with re.riddle to release unique works at special prices. These exclusive pieces will only be available during the month of the related exhibition.

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Whistling in the Dark / Los Angeles
Feb
1
to Feb 28

Whistling in the Dark / Los Angeles

SaveArtSpace is pleased to present Whistling in the Dark a cross-media, tri-city, public art exhibition curated by Caledonia Curry (Swoon) and Gianni Lee. The selected artists are Megan Gabrielle Harris, Shanina Dionna, Cheryl Derricotte, Cydney Camp, George Ferrandi, Katie Kalkstein, Sasha Lynn, Elianel Clinton, and Judy Chicago.

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Art is Essential
Sep
5
to Dec 5

Art is Essential

For the “Art is Essential” show, I created my own take on all of the “plague journals” that artists are making. From the new weekly mainstay in the Sunday New York Times to many of my friends’ Instagram feeds, “plague journals” (and “protest signs”) will be the way history remembers 2020. We all seem to be counting. Counting the days, counting the stages of re-opening, and counting the number of Zoom meetings. Lots of counting.

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Silence Out Loud:  Contemporary African American Portraits
Sep
6
to Oct 28

Silence Out Loud: Contemporary African American Portraits

  • Museum of Northern California Art (map)
  • Google Calendar ICS

Organized by Ramekon O'Arwisters, former curator of fine-art photography at SFO Museum at San Francisco International Airport. Silence Out Loud explores a traditional and non-traditional presentation of the black image. The exhibition presents realistic, abstract, and conceptual works of art, which reflect a boarder and an extremely personal look at identity, gender, and race through contemporary portraiture.

 

 

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Ghosts/Ships: Images of Slavery Rendered in Glass
Mar
31
2:00 PM14:00

Ghosts/Ships: Images of Slavery Rendered in Glass

Everyone is invited to view artist Cheryl Derricotte's art series, historical photos of slavery embedded in glass, as she shares slides of her work and discusses their meaning, her technique and background research. Following her hour presentation there will be a free hands-on collage workshop, limited to 20 participants. Both take place Saturday, March 31, 2018 in the community meeting room. Workshop participation requires confirmed advance registration.

Schedule as follows:

2-3 pm — Talk with slides.

3:30 -5 pm — collage class, free, limited to 20 participants. Students will learn how to find free photos from the public domain on the internet and thenuse them as a springboard to create a collage. Collage materials provided. 

Advance registration required by emailing ischneider@cityofberkeley.info

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Let Me Be a Witness
Feb
22
to Mar 17

Let Me Be a Witness

With the rise of social media, the act of witnessing has become a catalyst of social change by using technology to transform passive observers into activists. Drawing the title from a traditional response of African-American church-goers “call to testify,” Let Me Be a Witness will exhibit work that reflect a variety of concerns that might otherwise never see the light of day. This show will exhibit what might be referred to as “witness art.” Witness art differs from merely political art by responding to specific events in the world. Witness art presents the observable within a framework of knowledgeable research. Witnessing connects subjective experience with objective truth.

Curator: Stacey Goodman
2nd Sat Reception: Saturday, March 10, 2018 - 7:00pm to 10:00pm
Gallery Hours (or by appointment): Wednesday-Saturday, 2-6pm

Including CREATIVE STATION, free all-ages art activities in our Classroom.

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